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The Journal of Humanities، جلد ۳۱، شماره ۱، صفحات ۰-۰

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عنوان انگلیسی Visual adaptation of the traditional Persian painting for animation by study of Kerm Haftvad from Hezar Afsan animation series.
چکیده انگلیسی مقاله As a result of introducing European art to the traditional Persian painting, the multidimensional space of the traditional Persian painting tended to linear space. The Persian painting based on the positional perspective created a multi-dimensional space and another method based on linear perspective was done to create temporal and spatial unity. The confrontation between the two methods remained as challenge until the present day. Contemporary artists, have used tricks to solve that challenge which one of them is using new media as a modified version of the old media. In this regard, animation as an up-to-date medium has been able to develop the traditional Persian painting narrative and aesthetic capabilities by visually adapting them. But the question that arises is what features should this type of animation have?
Or what changes does the traditional Persian painting require in connection with the field of moving pictures? This research attempt to examine the principles and visual characteristics of two media, and main goal is determining the scope of necessary changes in the traditional Persian painting based on the aesthetics of animation. Hence, it examined how this was done in"Hazar Afsan - Kerm Haftavad" as one of the new animation productions.

 
کلیدواژه‌های انگلیسی مقاله The traditional Persian painting,Animation,Narrativity,Perspective

نویسندگان مقاله | Asghar Fahimifar
Associate Professor, Tarbiat Modares University, Tehran, Iran,


| Bagher Bahram Shotorban
PHD Candidate in art research in Tarbiat Modares University


| Mohammad Ali Safoora
Assistant professor, Tarbiat Modares University, Tehran, Iran


| Yoones Sekhavat
Assistant professor, Tabriz Islamic Art University, Tabriz, Iran



نشانی اینترنتی http://eijh.modares.ac.ir/browse.php?a_code=A-10-76592-1&slc_lang=en&sid=27
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