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جامعه شناسی کاربردی، جلد ۲۸، شماره ۱، صفحات ۰-۰

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عنوان انگلیسی A study of the relationship between collective identity and musical consumption: a case study of Lorish students of Yasouj University
چکیده انگلیسی مقاله Abstract After 1970s a kind of observational turn from the mere focus on the modes of production changed into the ones of consumption, especially the cultural one, and a kind of explanatory turn happened from the focus on the hard variables such as class into the soft variables like identity. On the base, musical consumption, as one of the most important kinds of cultural consumption and explanation based on collective identity as one of the less known explanatory approach, have become two permanent subject and approach in sociological thought, respectively. However, both realities of musical consumption and cultural based explanation have been the least attention among the contemporary sociologist in our society. Considering the above developments and limitations, this article is the result of a research that investigated the relationship between musical consumption and collective identity among the Lorish students of Yasouj University by aid of quantitative and survey method. To access the sample, the cluster random sampling method was employed. The results showed that two kinds of pop and classic western musical consumptions are the most and the least consumed types among the sample, respectively. Also, the relationship between ethnic identity and traditional and western musical consumption was insignificant but its relationship with local, pop and religious kinds was direct, significant and positive. The correlation between national identity and western and pop musical consumption was a significant negative relationship while its correlation with religious musical consumption was significant and positive one. The correlation of global identity with styles of western, pop musical consumption and traditional, religious and local ones was significantly negative and positive, respectively. Finally, on the base of findings, it could be said that the degree of commitment and attachment to any one the types of collective identities shapes the individual's musical consumption taste and leads it towards consuming a particular musical type. Therefore, the quality of musical consumption is not accidental phenomena and varies in accordance with the amount of individual’s commitment and attachment to each one of the collective identities.
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نویسندگان مقاله آرمان حیدری |
یاسوج- زیر تل- دانشگاه یاسوج- دانشکده ادبیات- گروه علوم اجتماعی
سازمان اصلی تایید شده: دانشگاه یاسوج (Yasouj university)

مریم مختاری |


احسان خانمحمدی |



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