| چکیده انگلیسی مقاله |
By reflecting the personal emotion of the poets, the lyrical poem presents more subtle and exaggerated images to express the overcome emotion, lyrical images are found more often in the lyrical poetry due to the dominant content of the lyrical poem, which is romantic, the most important of this type. The images describe the face of the lover, love, connect, describe nature, spring and images related to the wine Jahan Malik and Saadi have used this type of lyrical images in their lyrical poems, most of these images are concrete, sensual and of simile, metaphor, permitted and paradox, these images contain emotions that reflect the poet's attitude and feeling towards existence. shows In this research, the authors analyze and examine the emotional function of the common images between Jahan Malik and Saadi's lyrical poems with a descriptive-analytical method.From the results of this research, it can be pointed out that Jahan Malik was influenced by Saadi, that Jahan Malik's poems are more graphic than Saadi's poems, and the spread of emotions overcome by Jahan Malik in relation to Saadi. Introduction It is not possible to express a definite opinion about the date of birth and death of Jahan Malik Khatun. What can be said is that he was born after 725 AD and lived at least until 784 AD. In Divan Jahan, in addition to mentioning Sultan Ghazi (Amir Mubarizuddin), the praise of Shah Shuja and the praise of Ahmad Bahadur Ilkani, there is also a poem about Jalaluddin Mirmiran of Isfahan police station in the form of an ode (cf. Kashani-Rad and Ahmadnejad: 2019: 6- 5), but Jahan Malik's skill is in composing ghazal, and in this style of ghazal writing, he paid attention to Saadi and expressed his devotion to him. "Saadi is the epitome of poetry and his name is a source of controversy. Some wrote Musharraf al-Din and some Musalh al-Din, and some people considered one of these two words to be his nickname, and a group called Musleh al-Din the name of Sheikh's father, and some others said his name or his father's name was Abdullah, and sometimes we see It should be noted that Abu Abdullah has been nicknamed Sheikh and in some places his name is written as Musharraf bin Mosleh, and there is a lot of concern in this regard. Sometimes Saadi, in addition to odes and ghazals, gave advice and admonitions to the nobles and princes of Persia and the contemporary Mongol sultans and their ministers, and in the language that is appropriate for angels and kings to speak, he gave mystical points and details as a flirtation and courtship. He grew up and lived in Shiraz until the beginning of the last decade of the 7th century with honor and dignity" (Forughi, 2023: 13-12). Research method This article compares the different and similar emotional functions between the poetic images of Jahan Malik and Saadi by using the descriptive and analytical method and using library sources. Discussion Each image in the poem contains an emotion that separates the poem from the surface images of normal language or everyday language, these images lead to the poetic emotion moving away from the normal level of language and being overcome by some kind of emotions, in other words Along with every image, there is an exaggeration or a change in the dimensions of objects, this change in the dimensions of objects and phenomena is a sign of the poet's words and feelings not being included in ordinary words, for this reason, the poet uses a language that is known as literary language. they do The meaning of emotion is feelings such as happiness, sadness, resentment, longing, love, etc., through images, that is, in a way that these emotions are displayed, not expressed. It is obvious that in the ghazal, especially the classical ghazal, lyrical concepts such as love prevail, in the ghazals of Saadi and Jahan Malik Khatun, lyrical images related to love also prevail, the comparison of these images makes two points clear for us, firstly, the methods and methods It gives the poet's ability to express emotion through images, secondly, comparing these images with each other will change the meaning for us, that is, when we put a verse from Saadi in front of a verse from Jahan Malik Khatun. Our previous meanings will be transformed and new meanings will be revealed to us, especially in the verses that have been influenced by Saadi's Jahan Malik Khatoon at the level of words and meaning. Lyrical poetry "has specific content and form indicators that distinguish it from other types, some of them are the main, necessary and sufficient condition for lyrical literature, the lack of which excludes the lyrical nature of the literary text. and some of them are subsidiary. What distinguishes this type of literature from other types is the predominance of the element of feeling and emotion over other poetic elements" (Mushtaq Mehr and Bafekr, 2015: 200). What can be understood from the lyrical images in Saadi's and Jahan Malik's sonnets are images. two poets have presented about love and the face of the beloved, wind and nature. In this research, we will compare this type of images in the poetry of two poets and the influence of Jahan Malik Khatun by Saadi. "Image in the limited sense of simile, metaphor, metaphor, and irony is relatively rare in Saadi's poetry and very rare in some sonnets. Where Saadi uses images, he often uses common images. It is as if he is paying attention to the familiar associations of the reader's mind" (Mansour Ahmad, 2015: 68) Mansoor Ahmad means that Saadi uses the images of his predecessors and his reliance is more on how to say. Meanwhile, the lyrical aspects of Jahan Malik's poetry are prominent due to the context of sonnets and his influence and devotion to Saadi: "Lyric or lyrical poetry, according to some poets and critics, is a poem in which the poet puts himself as the subject. gives, and in more precise terms, lyrical poetry is talking about all feelings" (Rastgar Fasai, 2001: 132), on the other hand, in Saadi's poetry, honesty and ease of abstinence are more obvious features than the image in his poetry. Conclusion Saadi used images such as simile, metaphor, paradox and permission to express his emotions, and Saadi's art is to create paintings that surprise the reader by using contrast, art of exception, etc., Jahan Malik has also used the same images to express his emotions, with the difference that Jahan Malik sought to add something to those images to expand his personal emotion, and Saadi sought to use existing images and how to speak is the criterion of his poems. Has set. Jahan Malik Khatun has been influenced by Saadi in some verses and concepts, and this influence is accompanied by addition, that is, Jahan Malik has added something to the original image and made it artistic, in other words, emotions that are often expressed through images. have been expanded. Since Jahan Malik is an imitator of Saadi, it can be said that Jahan Malik has been successful among the imitators, most of the common emotions that are expressed through the images in Saadi and Jahan Malik's poems are hope, joy, sadness, feeling of joy, expressing the beauty of the beloved. And it is love. In the poetry of Saadi and Jahan Malik, the emotion of expressing love and affection is reflected more than other emotions. References Ashrafi, A., Asad, M., Asgari, F. (2021). “Analyzing and investigating the artistic elements and images of nature in the poems of Saadi and Petrarch with an emphasis on the illustrated version”. literary aesthetics. No. 48, 77-106. Bakhtiari, F., Babajani, S., Azhir, A. (2023). “The role of rational love for God in human life from Spinoza's point of view”. Ontological Researches, Vol. 12, No. 24, pp. 731-709. Barani, M., Nasim Bahar, A. (2012). “Repetition in the emotional meanings and artistic language of Saadi's lyrical poetry”. 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