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هنرهای تجسمی، جلد ۲۳، شماره ۱، صفحات ۲۹-۳۸
عنوان فارسی زندگی و آثار علی اشرف
چکیده فارسی مقاله درباره علی اشرف، نقاش لاکی قرن دوازدهم هجری، اطلاعاتی درخور در دست نیست و آنچه هست اشارات گذرای چند منبع تاریخی است. در این مقاله با فرضیه اینکه علی اشرف، نقاش دربار نادرشاه بود و در نزد منشی و مورخ او میرزا مهدیخان استرآبادی کار می‌کرد و از شاگردان محمد‌علی نقاشباشی در دربار نادرشاه بود، تلاش شد تا زندگی و آثار او از لابلای اشارات کوتاه منابع و بویژه رقم‌های او در آثار باقیمانده لاکی، بازسازی نموده و تصویری مقبول و متعادل و مستند از زندگی او در نزد میرزا مهدیخان استرآبادی حامی او، پیش رو نهاده­شود. از دستاوردهای قابل ملاحظه علی اشرف، مرقع میرزا مهدی خان استرآبادی است که امروزه در موزه ارمیتاژ سن پطرزبورگ نگهداری می شود. این مرقع که حاصل کار علی اشرف و سه شاگرد اوست، دربردارنده آثاری از این چهار هنرمند و نیز پیشینیان آنها محمد زمان و علیقلی بیگ جبادار است. روش تحقیق در این پژوهش، مبتنی بر تجزیه و تحلیل آثار باقیمانده بصری و منابع مکتوب موجود با امعان نظر به سه فرآیند درهم‌تافته وصف، ارزیابی و تحلیل است و جزئیات فرازآمده، منجر به تصویری گویا و کل‌نما از زندگی هنری علی اشرف شده است.
کلیدواژه‌های فارسی مقاله
عنوان انگلیسی Life and Achievements of Ali Ashraf, The Painter
چکیده انگلیسی مقاله Of all The artists working for the studio of Nadir Shah's historian, Mirza Mahdikhan Astarabadi at Isfahan, Ali Ashraf with his considerable output and his numerous pupils is distinguished. His works were widely collected. He is particularly well-known for his lacquer painting, In fact his extant works give first place to elegant flowers and birds. These are perhaps a conventional imitation of heavenly beauty. He is less associated with the illustration of manuscripts, partly because Nadir Shah is not known have been an assiduous patron of them and perhaps because of Ali Ashraf's personal preference for heavier and more static flower and birds for beauty expression. There is however a reason to suppose that he was not capable of working in the style of the court atelier. He is the most important of a group of later safavid painters who practised a highly eclectic style, often with subjects drawn from European painting. Decorative floral composition with were widely use for lacquer works from later safavid period on words, also become a popular genre is 18th century Persian painting. Mirrors belong among the subjects with painting. They became particularly popular in the second half of the 18th century. Mirrors cases were usually small, light, graceful and decorated more often than not with floral motifs or composition adopted from works of European art. The use of European models is especially well demonstrated in Ali Ashraf painting on the mirror case. Ali Ashraf tried to convey every natural future by pictorial means. Flowers were shown at stages of development, from barely open buds to blossoms with half-scattered petals. *This article extracted from my research project known as” achievements of three Persian painters of 18 th century”, in university of Tehran. Qalamdan or pen case is oblong subject with rounded ends and a sliding internal section the portrait of a young European in armour is painted on it, framed by flower and foliate motifs is gold against a black ground. Ali Ashraf one of the most master of Qalamdan painting. The binding of manuscripts provides us with the rare opportunity of proving that bindings existed separately from the manuscripts, which apparently only preserved their original bindings in extremely rare instances. The bindings bears the precise date of manuscripts. The cover and flap are decorated with paintings against a black ground. In the first, and fairy wide, border, Persian verses are written in cartouches in with point. The themes of painting are a banquet, a battle and a fairy tale garden. The inside is of dare red leather and is decorated with cartouches and medallions with foliage against a black blue turquoise and yellow ground. Ali Ashraf is one of the distinguished master in binding. The royal hunt is the principal theme represented on surfaces of painted casket. Hunting had its origin in Pre-Islamic Iran. It was a short reserved for royalty and the elite. Ali Ashraf is one of the painters that in casket painting was distinguished.
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نویسندگان مقاله یعقوب آژند |
استاد دانشکده هنر‌های تجسمی، پردیس هنر‌های زیبا، دانشگاه تهران

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